PAULINE KAEL Meaning and
Definition
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Pauline Kael was an influential American film critic known for her distinct and passionate writing style. Born in 1919, she gained prominence in the mid-20th century as a prominent voice in film criticism, particularly during her tenure as the film critic for The New Yorker magazine from 1968 to 1991.
Kael's impact on the field of film criticism was significant, as she revolutionized the way movies were evaluated and discussed. Her reviews were characterized by their lively and opinionated nature, often challenging established critical theories and embracing a more personal, subjective approach to analyzing films. Kael was known for her sharp wit and insightful observations, which appealed to both hardcore cinema enthusiasts and general audiences.
Her style was marked by a deep understanding of the filmmaking process, as she appreciated the technical aspects of cinema as much as the narrative and artistic elements. Kael's writing demonstrated a keen eye for detail and a keen sensitivity to the emotional impact of films.
Throughout her career, Kael championed the work of several influential directors, including Martin Scorsese, Robert Altman, and Francis Ford Coppola, while also expressing critical reservations about the popular consensus around the work of acclaimed auteurs like Stanley Kubrick. Her reviews were often divisive, provoking spirited debates among readers and fellow critics.
Pauline Kael played a pivotal role in elevating the status of film criticism, proving its potential as a serious and intellectual pursuit. Her audacious and insightful writing helped shape the way movies were appreciated and analyzed, leaving an indelible mark on the field of film criticism as a whole.
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Etymology of PAULINE KAEL
The term "Pauline Kael" is not an official word with a distinct etymology. Instead, it refers to a person's full name, combining the given name "Pauline" and the surname "Kael", presumably referring to the American film critic Pauline Kael.
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